Meg Bitton Live — Black and White Gridlight
English | Video: 1080p
https://megbittonlive.com/edit/black-white-gridlight/
  
We all know that photography is all about light.  That is even more true when you are working with Black and White images.  Watch as I turn this image into a dramatic black and white masterpiece using only a few simple tools.  See how I use the light AND the shadows to accentuate this lovely mother’s curves. Watch as I create a remarkable vision of the beauty of maternity that is both strikingly bold and sweetly tender at the same time.  In this edit, you will see me reveal the power of the light.  The light, it is everything.

Iwonapodlasinska - The Bravo One: Lightroom and Photoshop Editing Video
English | Video: 1080p
http://iwonapodlasinska.com/editing-videos/
 
Lightroom and Photoshop Editing video

Liveclasses - Noise in Photography
https://liveclasses.ru/course/photo/noises_in_photography/

What are noises and where do they come from? Why do photographers give them so much attention, especially now? What affects the noise level in pictures? Is it true that noise comes from shooting at high ISO? What can be done to make the photo less noise? And is it necessary to reduce their number? This is another theoretical class of Anton Martynov that makes life easier for photographers in practice.

PSD | 3337 x 5000 px | 300 dpi

Jpeg | 4691 x 3128 px | 300 dpi

Jpeg | 6000 x 3999 px | 300 dpi

Vector 5001 x 5001 px | 300 dpi

Jpeg | 4982 x 3322 px | 300 dpi

Vector 5001 x 3334 px | 300 dpi

Advanced Food And Beverage Short Course
English | Video: 1080p
https://weeattogether.com/food-beverage-photography-short-course/

Follow along with award winning food photographer Skyler Burt as he guides you through the process of lighting, styling and processing stunning images with this intense food & beverage short course.

Joe McNally Photography - Shoot: Bar Owner
English | 40m | Video: 720p

Joe McNally is an internationally acclaimed photographer whose career has spanned more than 30 years and included assignments in over 60 countries. McNally is often described as a generalist because of his ability to execute a wide range of assignment work. His expansive career has included being a contributor to the National Geographic - shooting numerous cover stories and highly complex, technical features for the past 25 years; a contract photographer for Sports Illustrated; the last staff photographer in the history of LIFE; as well as shooting cover stories for TIME, Newsweek, Fortune, New York, and The New York Times Sunday Magazine.

Vector 7085 x 5001 px | 300 dpi

Jpeg | 5324 x 3550 px | 300 dpi

Jpeg | 4448 x 2966 px | 300 dpi

Vector 5001 x 3334 px | 300 dpi

EPS | 1 MB

EPS | 3 MB

Jpeg | 6720 x 4480 px | 300 dpi

Vector 5001 x 3334 px | 300 dpi

EPS | 4 MB